Filed under: photography | Tags: Dixie Rose, fashion, klosetkase, photography, Sabine Villiard
Photo by Sabine Villiard
Filed under: Fashion Editorial | Tags: Ben Toms, Dazed & Confused February 2011, Dixie Rose, Fashion Editorial, Japan, Klsoetkase
Story: Tokyo Chorus
Photographer: Ben Toms
Stylist: Robbie Spencer
Models: Jaco Van Den Hoven; Willy Cartier
Filed under: art, fashion, Fashion Editorial, photography | Tags: An Existential Epiphany, art, Art Direction, Dai Mogi, Dixie Rosa Fernandez, Dixie Rose, Dixie Rose Art Direction, fashion, Fashion Editorial, Fine art Photography, Funabashishop.com, Kelly Funabashi, klosetkase, Lily Jane Morris
Story: An Existential Epiphany (mourning)
Starring: KlosetKase and Lily Jane Morris
Photography: Dai Mogi
Hair and Makeup: We did our own
Styling: Dixie Rose and FunabashiShop
Art Direction: Dixie Rose
Filed under: fashion, Fashion Editorial | Tags: Dixie Rose, Exclusive interview with Maxtan, fashion, Fashion Design, Fashion Editorial, klosetkase, Klosetkase Maxtan Interview, Maxtan Spring Summer 2011, Maxtan Spring Summer 2011 Lookbook, Singapore
1.Would you describe yourself as a metaphor, an analogy or an epiphany? How so? Analogy. I like to think of myself as a ‘monk on savile row’. That being said, the image of a monk on savile row is slightly an epiphany. 2.How does inspiration happen for you when conceptualizing for creating? Do you look for questions or create answers? I start each collection with a challenge, a question though rhetorical at times, after which I seek out the answers to my questions using my clothes as a medium. For example, ss 10 was how many ways I could reimagine a white shirt, fw 10-11 saw me throwing out traditional drafting rules; would I be right or wrong or would I rather be free? Ss 11 is interesting with its mocking undertone to the collection. I want to put across a message that ‘more is not always more’ and we want clothes to return to its purest form – construction. 3.What does fashion symbolize in your culture? Fashion like in all other cultures is an identity, a form of art, an outward expression of oneself. In Singapore interestingly, there’s a guerilla kind of fashion movement going on with us young designers wanting to have a distinct voice in the fashion scene. 4.What does it mean to be a man in fashion growing up in your family? Growing up under the influence of my seamstress mother, it was natural for me to take the fashion path, whether I am a man or a woman. 5.Fashion reminds me of...Botox. It is addictive and it only lasts 6 months. 6.Fashion feels like...Endless Hurdle race. Always chasing to the next hurdle to find out another one is drawing near. A never ending chase. 7.Fashion tastes like...Tobacco, it keeps you hooked on it and one can never ever successfully quit smoking; you’ll allow yourself to slip once in a while. 8.Fashion looks like...Swathes of moving black fabrics. 9.Fashion is...Like breathing. You don’t ask to breath, it just happens. 10.If you were stranded on a deserted island and all you could salvage was an album, a book and your favorite artist, who would it be and why? My sketch journal for my s/s 2012!
Click on more for Maxtan's S/S 2011 lookbook
Filed under: art | Tags: art, Caterina Silenzi, Japan, klosetkase, Raku Ceramic, Sculpture

Born in Porto San Giorgio in 1977, Caterina lives and works in Fermo, Marche. Silenzi has studied Sculpture and Photography at the Accademia delle Belle Arti di Macerata. Her creation process constitutes using Raku ceramic, an ancient alchemic technique originally practiced in Japan during the 16thcentury. She makes her sculptures working with the elements of earth, air, fire and water. Caterina rediscovered the technique. Dixie Rose


























